Style guide.
This is the internal style guide for Pixel Perfect Websites. It sets out the logo, the colours, the typefaces and the handful of components the brand is built from, so that anything produced later looks like it belongs.
01 - Logo
One mark, two weights.
The mark is a square notched out of a square, with a single orange pixel in the corner. There is one lockup and one mark, each supplied in a light and a dark version. Pick whichever version holds its contrast against the surface it sits on. Nothing else is a logo: do not add a strapline, a container, a shadow or a second colour.
Use the SVG wherever the destination will take one. It stays sharp at any size, weighs almost nothing, and can be recoloured if we ever need to. The PNGs are there for the places that still refuse an SVG - some print portals, older email tools, a few social profiles. They have transparent backgrounds, so they sit on any surface, but they are fixed-resolution: never scale one up.
The default. Header and footer everywhere.
SVG version of the lockup, dark surfaces logo PNG version of the lockup, dark surfaces logo, 2000 x 315 pixels
White bands, print, and anything on paper.
SVG version of the lockup, light surfaces logo PNG version of the lockup, light surfaces logo, 2000 x 315 pixels
Where the full lockup would be illegible: avatars, favicons, stamps.
SVG version of the mark, dark surfaces logo PNG version of the mark, dark surfaces logo, 1024 x 1024 pixels
The same mark, inverted. Never recolour the orange square.
SVG version of the mark, light surfaces logo PNG version of the mark, light surfaces logo, 1024 x 1024 pixels
02 - Colour
Near-black rests. White punctuates.
The site's resting state is near-black. White bands are used as emphasis rather than as a default background, which is what keeps the contrast meaningful. The accent appears only on rules, ticks, markers and the comparison handle - never as a large fill.
Page background. The resting state.
Charcoal band, for separating sections.
Inverted bands. Punctuation, not default.
Accent on dark. AA at 5.19:1.
Accent on light. AA at 5.22:1.
Body copy on dark bands.
#E8501E reaches 5.19:1 against near-black, which passes WCAG AA
for body text. The same orange on white manages only 3.77:1, which fails. Small
text on light bands therefore uses #C1400F at 5.22:1. Use
--flare on dark surfaces and --flare-ink on light ones.
03 - Typography
Two families, three voices.
Archivo is the display and interface face. It carries a width axis, so headlines are set at 116% width and 640 weight with tight negative tracking, while labels and buttons use the same file at normal width. Google Sans is the reading face for body copy and pull quotes. Both are self-hosted, subsetted to Latin, and licensed under the SIL Open Font Licence.
Being the best
What you are actually buying.
Most deals are lost before anyone speaks to you.
We are a good fit when
Pixel Perfect Websites designs, builds and grows the websites of organisations that intend to win their category.
A buyer forms a judgement about your organisation in a few seconds, on a screen, usually months before a salesperson is involved. That judgement is comparative, and it is made on evidence. Bold marks the sentence that matters.
Figures measured over a stated window. Anything indicative is marked as such.
Headings are set in a single face at a single weight. There is no italic, no mixed-family emphasis and no colour change inside a headline - the size and the width axis carry all the emphasis needed.
04 - Buttons and chips
Buttons, chips, and when to use them.
- NHS
- Brighton & Hove
- eCommerce
Chips carry short facts about a piece of work, such as its sector and where it is. They sit under the heading they describe, never above it, one fact per chip, a word or two each. They are not links and not buttons, so they have no hover state.
Headings stand on their own. There is no small uppercase label above a heading to introduce it - if the heading needs one, rewrite the heading. Two kinds of marker are allowed, because they carry information rather than decoration: sequence numbers on reference pages (the 01 - 06 on Legal and in this guide) and timings in the engagement timeline (Weeks 1-3). Facts about a piece of work go in chips beneath its heading.
05 - Space and motion
Rhythm, and how little it moves.
- Spacing scale
- 8px base.
--s-1(4px) through--s-10(128px). Nothing outside the scale. - Section rhythm
--band-y, fluid from 4.5rem to 9rem.- Page margin
--gutter, fluid from 1.25rem to 4rem. Content caps at 1560px.- Radius
- Zero everywhere, because a pixel has no rounded corner and the name of the company is the argument. Two exceptions: the comparison handle, which is round so it reads as grabbable, and the browser frame around the homepage screenshots, which is a picture of macOS rather than a piece of our own interface - drawn square, its traffic lights stop reading as a Mac and start reading as a mistake.
- Reveal
- Opacity plus an 18px rise over 0.85s. Applied to section heads and media, never to every paragraph.
- Easing
cubic-bezier(0.22, 1, 0.36, 1)for entrances, 0.18s linear for hover colour.